Ulysses is the best writing app for Mac, iPad, and iPhone. For writers — from bloggers to authors to journalists and more — Ulysses offers the perfect combination of power and simplicity, combining feature-rich writing and research tools amidst a focused, distraction-free writing environment.
- Best Program To Write Autobiography
- Stories That I Can Write
- Write Stories For Money
- Website To Write Stories Free
When writing, it's all too easy to get distracted and operate far below your optimum performance. WriteMonkey aims to rectify this by providing you with a distraction-free working environment that lets you concentrate fully on what you're doing.
WriteMonkey
Where to download:http://writemonkey.com/
Best Program To Write Autobiography
Type: Word processor
Developer:pomarancha_
Operating system: Windows
Version: 2
If you're used to full-fat word processors like Microsoft Word, WriteMonkey will seem very strange at first; the interface is sparse and empty, and you might feel that you are missing out. In reality, this is far from the case - all the tools you need are there, they're just well-hidden. This is a sparse-looking, yet deceptively powerful, distraction-free word processor.
There's a lot to love about WriteMonkey, and the simplicity which is at its very heart is precisely what makes it so great. Its stripped back restraint really is something to behold, and for anyone whose job it is to write, it could prove to be a real boon.
As an added bonus, WriteMonkey is a portable app, so you can stick it on a USB drive and use in on whatever computer you happen to find yourself at. You're likely keep discovering plenty of things to increase WriteMonkey's appeal further as you work with it – such as support for Markdown and CSS.
![Best Program To Write Stories For Mac Best Program To Write Stories For Mac](/uploads/1/2/6/0/126071286/910783675.jpg)
WriteMonkey is a near-perfect tool for writers. Everything has been brilliantly thought out with writing in mind. This may seem like an obvious thing for a word processor, but so few developers get it right that WriteMonkey really stands out.
User experience
It's a bit weird to start with, to say the least, and anyone accustomed to a plethora of menu and toolbars who jumps into WriteMonkey is in for something of a surprise. However, the whole point is to encourage and enable you to focus on words and nothing else. The lack of screen furniture means you won't be distracted by thinking about whether you should make use of the various formatting options your word processor offers; you're just meant to get on and write. Of course, those options are available for when you need them, but you have to look for them in the context menu.
The program is described - quite beautifully - as 'zenware', and this is quite an apt label for it. It's a simply wonderful experience once you settle into WriteMonkey's different approach to things. The interface is not completely barren. At the bottom of the screen there is the all-important running word count (essential for any wordsmith), a subtle little clock, and access to the Scratch Pad, which can be used to switch between files, and use bookmarks and headings. You can tweak this information area to display other details too, but that's up to you.
Latest updates
The latest version of WriteMonkey features a new spellchecking engine, an improved plugin engine, the ability to perform a 'replace all' action on a selection of text, and the ability to show and hide white spaces. For more details, see WriteMonkey's release notes.
You might also like
BERKELEY, Calif. — Robin Sloan has a collaborator on his new novel: a computer.
The idea that a novelist is someone struggling alone in a room, equipped with nothing more than determination and inspiration, could soon be obsolete. Mr. Sloan is writing his book with the help of home-brewed software that finishes his sentences with the push of a tab key.
It’s probably too early to add “novelist” to the long list of jobs that artificial intelligence will eliminate. But if you watch Mr. Sloan at work, it is quickly clear that programming is on the verge of redefining creativity.
Mr. Sloan, who won acclaim for his debut, “Mr. Penumbra’s 24-Hour Bookstore,” composes by writing snippets of text, which he sends to himself as messages and then works over into longer passages. His new novel, which is still untitled, is set in a near-future California where nature is resurgent. The other day, the writer made this note: “The bison are back. Herds 50 miles long.”
In his cluttered man-cave of an office in an industrial park here, he is now expanding this slender notion. He writes: The bison are gathered around the canyon. … What comes next? He hits tab. The computer makes a noise like “pock,” analyzes the last few sentences, and adds the phrase “by the bare sky.”
Mr. Sloan likes it. “That’s kind of fantastic,” he said. “Would I have written ‘bare sky’ by myself? Maybe, maybe not.”
He moves on: The bisonhave been traveling for two years back and forth. … Tab, pock. The computer suggests between the main range of the city.
“That wasn’t what I was thinking at all, but it’s interesting,” the writer said. “The lovely language just pops out and I go, ‘Yes.’ ”
His software is not labeled anything as grand as artificial intelligence. It’s machine learning, facilitating and extending his own words, his own imagination. At one level, it merely helps him do what fledgling writers have always done — immerse themselves in the works of those they want to emulate. Hunter Thompson, for instance, strived to write in the style of F. Scott Fitzgerald, so he retyped “The Great Gatsby” several times as a shortcut to that objective.
Writers are readers, after all. “I have read some uncounted number of books and words over the years that all went into my brain and stewed together in unknown and unpredictable ways, and then certain things come out,” Mr. Sloan said. “The output can’t be anything but a function of the input.”
But the input can be pushed in certain directions. A quarter-century ago, an electronic surveillance consultant named Scott French used a supercharged Mac to imitate Jacqueline Susann’s sex-drenched tales. His approach was different from Mr. Sloan’s. Mr. French wrote thousands of computer-coded rules suggesting how certain character types derived from Ms. Susann’s works might plausibly interact.
It took Mr. French and his Mac eight years to finish the tale — he reckoned he could have done it by himself in one. “Just This Once” was commercially published, a significant achievement in itself, although it did not join Ms. Susann’s “Valley of the Dolls” on the best-seller list.
A tinkerer and experimenter, Mr. Sloan started down the road of computer-assisted creation driven by little more than “basic, nerdy curiosity.” Many others have been experimenting with fiction that pushes in the direction of A.I.
Botnik Studios used a predictive text program to generate four pages of rather wild Harry Potter fan fiction, which featured lines like these: “He saw Harry and immediately began to eat Hermione’s family.” On a more serious level, the Alibaba Group, the Chinese e-commerce company, said in January that its software for the first time outperformed humans on a global reading comprehension test. If the machines can read, then they can write.
Mr. Sloan wanted to see for himself. He acquired from the Internet Archive a database of texts: issues of Galaxy and If, two popular science fiction magazines in the 1950s and ’60s. After trial and error, the program came up with a sentence that impressed him: “The slow-sweeping tug moved across the emerald harbor.”
Stories That I Can Write
“It was a line that made you say, ‘Tell me more,’” Mr. Sloan said.
Those original magazines were too limiting, however, full of clichés and stereotypes. So Mr. Sloan augmented the pool with what he calls “The California Corpus,” which includes the digital text of novels by John Steinbeck, Dashiell Hammett, Joan Didion, Philip K. Dick and others; Johnny Cash’s poems; Silicon Valley oral histories; old Wired articles; the California Department of Fish and Wildlife’s Fish Bulletin; and more. “It’s growing and changing all the time,” he said.
Unlike Mr. French a quarter-century ago, Mr. Sloan probably will not use his computer collaborator as a selling point for the finished book. He’s restricting the A.I. writing in the novel to an A.I. computer that is a significant character, which means the majority of the story will be his own inspiration. But while he has no urge to commercialize the software, he is intrigued by the possibilities. Megasellers like John Grisham and Stephen King could relatively easily market programs that used their many published works to assist fans in producing authorized imitations.
Write Stories For Money
As for the more distant prospects, another San Francisco Bay Area science fiction writer long ago anticipated a time when novelists would turn over the composing to computerized “wordmills.” In Fritz Leiber’s “The Silver Eggheads,” published in 1961, the human “novelists” spend their time polishing the machines and their reputations. When they try to rebel and crush the wordmills, they find they have forgotten how to write.
Mr. Sloan has finished his paragraph:
“The bison were lined up fifty miles long, not in the cool sunlight, gathered around the canyon by the bare sky. They had been traveling for two years, back and forth between the main range of the city. They ring the outermost suburbs, grunting and muttering, and are briefly an annoyance, before returning to the beginning again, a loop that had been destroyed and was now reconstituted.”
Website To Write Stories Free
“I like it, but it’s still primitive,” the writer said. “What’s coming next is going to make this look like crystal radio kits from a century ago.”